I Enjoy Being A Girl

Year
2022
Runtime
37 mins
Director
Hoo Fan Chon
Language
English
Subtitle
English, Malay
Category
Short Film
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SCREENING DATE & TIME:

10 SEPTEMBER, 2.00PM

This photo-video essay is part of an on-going project, “Anita & Ava —Photography as a Self-Restorative Tool”, which looks at how two childhood friends explored their gender identity through photography, as they transitioned into adulthood. The portraits were of the late Ava Leong taken in the 1950s and 1960s in which she self-restored from an adolescent boy to a woman. This work intends to give us a glimpse of a time when they, together with their peers from the transgender community, were allowed to explore their sense of self while contributing to a lively cosmopolitan artistic culture in Malaysia.

Esei foto-video ini sebahagian daripada projek yang masih berjalan, “Anita & Ava—Fotografi sebagai Alat Pemulihan Kendiri”, yang melihat bagaimana dua sahabat dari kecil meneroka identiti jantina menerusi fotografi, di saat- saat mereka beralih menjadi dewasa. Potret-potret ini yang memperlihatkan mendiang Ava Leong diambil sekitar tahun 1950-an dan 1960-an di mana beliau menjalankan pemulihan diri dari seorang remaja lelaki kepada seorang wanita. Karya ini bertujuan memberi kita sekilas pandang terhadap kehidupan mereka bersama-sama rakan dari komuniti transgender, yang diberi peluang untuk meneroka perasaan diri di samping menyumbang kepada budaya kesenian kosmopolitan di Malaysia.

NOTE: Ho Fan Chon will be present during the post-screening discussion and Freedom Talk: Artistic Approaches to Tackling Social Stories.

ABOUT THE DIRECTOR

Hoo Fan Chon is a visual art practitioner who currently resides in George Town, Penang. He completed his BA in Photography at the London College of Communication, UK, in 2010. His works involve investigating the process of cultural translation, taste as a cultural and social construct, and how our value systems fluctuate as we migrate from one culture to another. His research studies the familiar yet foreign aspects of material culture, the making of cultural symbols and vernacular visual practices, reinterpreting them within contemporary socio-cultural contexts through artwork fabrication, exhibition making, selfpublished zines, workshops and presentations.

*The making of these films were made possible through a production grant by ILHAM Gallery as part of its inaugural ILHAM Art Show, a triennial exhibition platform initiated to give artists in Malaysia the opportunity to experiment and make new work. The ILHAM Art Show 2022 is currently on at ILHAM Gallery, Kuala Lumpur until 23 October 2022

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