FFF2022 returned back to the big screen with a line up of some of the most deep, difficult and daring films produced just before and during the pandemic around the theme of “Pandemik Dua Darjat”. After more than 2 years of being in isolation, it was time that we celebrated being in community again – by laughing, crying and sharing all ranges of emotions together via films.
Here are some of our highlights:
A special performance by Orang-Orang Drum Theatre
The festival opened with a special performance titled Tuyang Sit in The Corner by the Orang-Orang Drum Theatre.
The word ‘orang‛ means people, and the heart behind OODT is to bring the arts to the people; the word ‘drum theatre‛ is used because just by placing a drum in a theatre space, it has the ability to tell a story and make music.





Launch of the Arkib Filem Rakyat
The Arkib Filem Rakyat has accumulated 29 years of raw footage and films documenting the nation’s social movement. This collection provides an alternative perspective of the peoples’ history, identity and nation building efforts. It is the only film footage archive on human rights in Malaysia and is an ongoing effort to preserve and document historical audiovisual materials sourced nationwide.
The Arkib Filem Rakyat was launched by Dr. Markus Litz, the director of Goethe-Institut Malaysia.







@WITNESS_Asia On 14 Sept @freedomfilmfest successfully launched 'Arkib Filem Rakyat: #Malaysia’s Social Movement Film Archive', which gathers 29 years of footage & films documenting the nation’s social movement. https://t.co/pTZrR56DUO@witnessorg is a proud partner of Arkib F…
— prakkash (@arulprk) September 16, 2022
Launch of two reports on film censorship in Malaysia
We launched two reports on film censorship titled “An Evaluation of The Film Censorship Framework in Malaysia” and “Censorship and It’s Impact on The Screen Industries in Malaysia”. We also had a discussion about film censorship with the producer of the film “Split Gravy On Rice”, Zarul Albakri.





A dialogue with the Orang Asli Young Women in changing narratives
We screened Selai Kayu Yek, Klinik Ku Hutan and Rahsia Rimba where all these 3 films were produced by the Apa Kata Wanita Orang Asli team. After which these young women share their journey of taking their voices to the screen where they have charted a new path by creating their own media spaces; telling their stories from their own perspective and in their own words.









We went on a roadshow across Malaysia
Aside from the screenings at Petaling Jaya, our festival traveled to Melaka, Ipoh, Kota Kinabalu, Kuching, Miri, George Town, Langkawi and Singapore.
Thank you, Kuching for coming over to catch the screening of Grey Scale at @hauskch! #FFF2022 #freedomfilmfest pic.twitter.com/emHeRboK4U
— Grey Scale (@greyscaledocmy) November 26, 2022
News Coverage
- Arkib Filem Rakyat penawar nostalgia politik palsu (Malaysiakini on Arkib Filem Rakyat, 5 Oct 2022)
- “I have been producing films in the mid-80s and early 90s before taking a long break…” (The Star on Film Censorship in Malaysia, 15 Sept 2022)
- “The film experience is only complete when the audience watches the film and filmmakers get to see their response” (Eksentrika on 19 years of FreedomFilmFest, 2022)
1/8 🧵FreedomFilmFest (FFF) began at a time when the oppressive Internal Securities Act (ISA) could easily throw bold filmmakers in jail. 👮🏽♂️
— Eksentrika (@Eksentrika) September 8, 2022
Here's a throwback on @freedomfilmfest's journey to becoming a film festival that celebrates deep, difficult, and daring films. pic.twitter.com/L7CvFArV5G
- FreedomFilmFest 2022 Returns after Covid-19 Hiatus (The Vibes on FreedomFilmFest 2022, 8 Sept 2022)
- “Ini adalah satu peluang untuk mengimbas kembali apa yang telah berlaku kepda kita dan cabaran-cabaran yang masih di hadapan kita” (Getaran mengenai FreedomFilmFest 2022, 23 Aug 2022)
Films Screened at this edition
- Can’t Run, Can’t Hide by Umashankari Yomarakuro (MY)
- Fafa: Perjuangan Yang Tak Didendang by Amirul Ramthan (MY)
- Grey Scale by Evelyn Teh (MY)
- Jiwa Pendidik by Rahmah Pauzi (MY)
- Anak Ibu, Anak Malaysia by Elroi Yee (MY)
- Baliu Kano Kai by Albert Bansa & Gebril Atong (MY)
- Empangan Nenggiri: Suara Bantahan Orang Asli by Shafie Dris (MY)
- Peluang Kedua by Mohammad Alshastri (MY)
- Rahsia Rimba by Aireen July, Analisa Atang, Han Rusan, Sylvia Othman, Wak Masnah (MY)
- Rasa dan Asa by Nasrikah & Okui Lala
- Collective by Alexander Nanau (RO)
- Daratanku Tenggelam by Faez Shazwan (MY)
- Distance by Hannah Newman (MY)
- Four Journeys by Louis Hothothot (NL)
- Homebound by Ismail Fahmi Lubis (ID)
- I Enjoy Being A Girl by Hoo Fan Chon (MY)
- In the Same Breath by Nanfu Wang (US)
- Karpet by Keefe Loh (MY)
- Klinik Ku Hutan by Arni Natasya, Azie Suzana, Lungey Uda, Maranisnie Mohsin, Rosdila Roslan, Rosita Dollah, Selindang Seliman, Sherry Tan, Sylvia Othman, Yaliyana Lenab (MY)
- Living in Limbo by Yavino Lucas Ng (MY)
- Membawang by Dipali Gupta (MY)
- Not Love Songs by Jackson Brook (KH)
- Padauk: Myanmar Spring by Jeanne Marie Hallacy & Rares Micheal Ghilezan (MM)
- Pattani Calling by Vijitra Duangdee (TH)
- Portrait of The Jungle People by Eddie Wong (MY)
- Second Prison by Kueh Yong Peng (MY)
- Selai Kayu Yek by Ada Along, Analisa Atang, Arni Natasya, Azie Suzana, Diana Tan, Lungey Uda, Maranisnie Mohsin, Natasya Robut, Niwani Sari, Nora Kantin, Rosdila Roslan, Rosita Dollah, Selindang Seliman, Sherry Tan, Sylvia Othman, Yaliyana Lenab (MY)
- Softie by Sam Soko (KE)
- Sorry We Missed You by Ken Loach (UK)
- There To Document by Celeste Tan (SG)
- They Call Me Babu by Sandra Beerends (NL)
- Three Ways to Falter by Rachelle Lee (SG)